It’s Only The End of the World (Dolan, 2016)

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Brief glimmers of Dolan’s expressive visual style, for which he is known, is suppressed by faux dramatique dialogues of a labored, awkwardly intimate, though sincerely intellectual nature. Not his finest work, but certainly commendable for its firm stylistic command.

79/100 – Very Good.

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About Kamran Ahmed

I have a Masters in Cinema Studies from the University of Toronto. I work as a freelance writer and film critic in Vancouver. My writing is primarily distributed through Next Projection, an online film journal based in Toronto.
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