Tag Archives: 35mm

Experimental Cinema, Snow & Saïto

La Région Centrale (Michael Snow, 1971, 16mm) A meditation of time itself. Challenges the viewer’s capacity for prayer as it entangles the spiritual and physical in worlds both of the reveler and the revealed through a form of fixed yet … Continue reading

Posted in Philosophy, Reviews (capsule) | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Lancelot du Lac (Bresson, 1974)

Lancelot du Lac (1974) is the last feature film of Robert Bresson that I am to see (although I have yet to re-watch and review Au Hasard Balthazar [1966]). Set in the medieval age, the story tells of the Arthurian … Continue reading

Posted in Reviews, Robert Bresson | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

The Long Day Closes (Davies, 1992)

The lighting in The Long Day Closes (1992) is nothing short of brilliance. For it alone, this film is well worth seeing — a must for any avid cinephile. The specific high key lighting, both off and on screen — … Continue reading

Posted in Reviews | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Une Femme Douce (A Gentle Woman, Bresson, 1969)

A quality of Robert Bresson’s ascetic style is that it renders him capable of expressing a multiplicity of emotions at once; his films, though unique in their own regard, each capture an entrancing, yet endearing mood. In Une Femme Douce … Continue reading

Posted in Reviews, Robert Bresson | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

The Tree Of Life (Malick, 2011)

The Tree of Life is a brilliant piece of art that the world is not yet ready for. While its narrative bears striking similarities to other “art-house” films – most notably Tarkovsky’s Mirror, which meditates on humankind and man’s relation … Continue reading

Posted in Reviews | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , | 3 Comments