Tag Archives: Austere

Sunset Song (Davies, 2015)

Despite certain narrative issues, Sunset Song is yet another gorgeously realized Davies film boasting exceptional cinematography, a lyrical pace, and some of his best lighting to date. It has been underrated by critics choosing to compare it to Distant Voices, … Continue reading

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The Turin Horse (Tarr, 2011)

For six days, man and woman each eat a potato, and then dark silence overcomes them. Ritual figures deeply in Tarr’s observation of the death of God. Metonyms of the Lord, the horse will not eat, the wind will not … Continue reading

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The Immigrant (Gray, 2014)

James Gray’s The Immigrant (2014) is a landmark in American Cinema that will one day be credited as a modern masterpiece. It is a tour de force in all respects, taking the most appealing qualities of European art cinema and … Continue reading

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Bresson, Ranked

“Make visible what, without you, might perhaps never have been seen.” Bresson’s style of accentuating minimalist details — closing up and slowing down on body parts or material items — repletes his films with a transcendental slowing down of one’s … Continue reading

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Au Hasard Balthazar (Bresson, 1966)

It seems rather fitting that I end this retrospective by watching Bresson’s Au Hasard Balthazar (1966). A retrospective is to look back on a person’s work, and Au Hasard Balthazar is concomitantly both the first Bresson I ever saw, and … Continue reading

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Diary of a Country Priest (Journal d’un curé de campagne, Bresson, 1951)

A performance of austerity on the subject of austerity. A filmmaker practices austerity to create art; a priest (Claude Laydu) practices austerity to instill faith: both seek to fluorish growth amidst the people. The ascetic habits and characteristics of the … Continue reading

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