Tag Archives: bela tarr

Bloodsport: A Prime Example of Affective Cinema

In spite of nostalgia’s effect on my revision, and in spite of Bloodsport’s apparent contrast to what we generally deem cinematic art, the cult-classic remains fastened on the minds of many a cinephile. Such a phenomenon surely calls for retrospection, and … Continue reading

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Sátántangó (Tarr, 1994)

Tarr’s poetic vision, a realism so uncanny, so surreal, so alive, is realized in each and every frame of the film, only minorly slighted by Tarr’s undeniable social-satirical agenda. This affectation of his work, which is exceedingly present in his … Continue reading

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Sátántangó Explained (Tarr, 1994)

There are many people who think the end is the beginning. It is not. At least not in the diegetic sense. The end is exactly as the doctor describes: 13 days after he is hospitalized. That is, 13 days after … Continue reading

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The Turin Horse (Tarr, 2011)

For six days, man and woman each eat a potato, and then dark silence overcomes them. Ritual figures deeply in Tarr’s observation of the death of God. Metonyms of the Lord, the horse will not eat, the wind will not … Continue reading

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