Tag Archives: Minimalist

The Witch (Eggers, 2016)

The most problematic aspect of Eggers’ The Witch (2016) is that it wants to be too many things: a chamber drama, a horror, a socio-historical document, a parable of religious-mystic fervor… While the film’s tone and visual appeal is rather … Continue reading

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Under The Skin (Glazer, 2014) – Two Viewings

I saw Under the Skin back in September (2013) at TIFF. I wrote a capsule review for Next Projection that night, and felt that I had given too little time to digest such a complicated work. For months after, my … Continue reading

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Bresson, Ranked

“Make visible what, without you, might perhaps never have been seen.” Bresson’s style of accentuating minimalist details — closing up and slowing down on body parts or material items — repletes his films with a transcendental slowing down of one’s … Continue reading

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Au Hasard Balthazar (Bresson, 1966)

It seems rather fitting that I end this retrospective by watching Bresson’s Au Hasard Balthazar (1966). A retrospective is to look back on a person’s work, and Au Hasard Balthazar is concomitantly both the first Bresson I ever saw, and … Continue reading

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