Tag Archives: Mise-en-scene

Pakeezah (Kamal Amrohi)

Pakeezah is a beautiful, heart rending film. Passionately developed and performed, its beatific sequences are saturated with love and beauty as is the painterly mise-en-scene which adorns the set. Highlighting the film’s merits is a wonderful soundtrack which provides entertainment … Continue reading

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Sunset Song (Davies, 2015)

Despite certain narrative issues, Sunset Song is yet another gorgeously realized Davies film boasting exceptional cinematography, a lyrical pace, and some of his best lighting to date. It has been underrated by critics choosing to compare it to Distant Voices, … Continue reading

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Ordet (Dreyer, 1955)

Such perfect mastery of time and rhythm perhaps unequaled in cinema. A chamber drama with few scenes, each austerely captured by the observing and detached gaze of a languid camera, which carefully tracks the actors deeply nuanced performances in long … Continue reading

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Carol (Haynes, 2015)

This is going to be a slightly different kind of review. I want to look at Todd Haynes’ Carol not only as the pinnacle achievement of what Haynes has being doing in cinema throughout his career but as the pinnacle … Continue reading

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The Long Take and Mindfulness

Branching from my recent post on the film cut and mental anxiety, I’d like to now put into context the opposite phenomenon, the link between long takes and mindfulness, a notion that often leads to theories on the therapeutic value … Continue reading

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Elegy of a Voyage (Sokurov, 2001)

As with Russian Ark, Sokurov creates an all encompassing atmosphere through narration and open form montage, yielding a sense of presence throughout the film. Open montage, the use of nondescript (yet no less arresting nor beautiful), non representational images, which … Continue reading

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The Long Day Closes (Davies, 1992)

The lighting in The Long Day Closes (1992) is nothing short of brilliance. For it alone, this film is well worth seeing — a must for any avid cinephile. The specific high key lighting, both off and on screen — … Continue reading

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