Tag Archives: nature

A Beautiful Poem: Kiarostami’s Life, and Nothing More…

Life, and Nothing More… is breathtaking in its simplicity. What may be seen as an overt metaphor is instead realized on a deeply spiritual and philosophical level. Kiarostami gracefully allows the film’s landscape to breathe life through the film. He places … Continue reading

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Fantasy as Poetry, Fiction as Metaphor in Shinkai’s YOUR NAME

Your Name is a heartfelt, modern love story with an intricately layered narrative spanning philosophy, mythology, romance, and teenage fantasy within a science fiction melodrama. It is a brilliant feature anime, and the best I have seen since Takahata’s The … Continue reading

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The Revenant (Innaritu, 2015)

Like Birdman before it, this beautifully shot and highly sensationalized film captivates in the moment but disappears into soulless immemory shortly after the curtains close. With each feature film, Innaritu has become more arrogant and mean-spirited, with little love for … Continue reading

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Elegy of a Voyage (Sokurov, 2001)

As with Russian Ark, Sokurov creates an all encompassing atmosphere through narration and open form montage, yielding a sense of presence throughout the film. Open montage, the use of nondescript (yet no less arresting nor beautiful), non representational images, which … Continue reading

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To The Wonder (Malick, 2013)

The film begins with a series of film-photographic images, taken from a variety of sources; they are at once a reflection on the transition from film to digital as well as the transitions in people’s lives. By this end, the … Continue reading

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Mouchette (Bresson, 1967)

Mouchette (1967) tells the heart-wrenching story of a young girl tragically forced to grow up too soon. With a dying mother, alcoholic father, and a baby brother to take care of, Mouchette (Nadine Nortier), a mere teenager, is trapped in … Continue reading

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The Tree Of Life (Malick, 2011)

The Tree of Life is a brilliant piece of art that the world is not yet ready for. While its narrative bears striking similarities to other “art-house” films – most notably Tarkovsky’s Mirror, which meditates on humankind and man’s relation … Continue reading

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