Tag Archives: Poetry

A Beautiful Poem: Kiarostami’s Life, and Nothing More…

Life, and Nothing More… is breathtaking in its simplicity. What may be seen as an overt metaphor is instead realized on a deeply spiritual and philosophical level. Kiarostami gracefully allows the film’s landscape to breathe life through the film. He places … Continue reading

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Fantasy as Poetry, Fiction as Metaphor in Shinkai’s YOUR NAME

Your Name is a heartfelt, modern love story with an intricately layered narrative spanning philosophy, mythology, romance, and teenage fantasy within a science fiction melodrama. It is a brilliant feature anime, and the best I have seen since Takahata’s The … Continue reading

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A Misstep in Film History: Wim Wenders Wings of Desire and Its Masterpiece Status

Although Wenders’ film is masterfully crafted, with some absolutely glorious camera movements, use of light, black and white, and colour, the script reeks of pretense. Wender’s narrative, well intentioned as may be, is too self serious to convey fantasy, yet … Continue reading

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A Revisioning of Krzysztof Kieslowski’s Dekalog – All Episodes Reviewed and Ranked

What I take most from this complete revision of the Dekalog is that Kieslowski never truly left documentary cinema. While the films in this series are, of course, fictitious, penned by Kieslowski in collaboration with Krzysztof Piecewicz, these stories are a way of examining the truth of … Continue reading

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So You Don’t Have To Read It: ROOM–from book to film

Herein, I will outline the major differences between the novel Room by Emma Donoghue, and the film Room, adapted for the screen by Lenny Abrahamson. To be sure, I believe the film is a fine example of the adapted screenplay, … Continue reading

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Sátántangó (Tarr, 1994)

Tarr’s poetic vision, a realism so uncanny, so surreal, so alive, is realized in each and every frame of the film, only minorly slighted by Tarr’s undeniable social-satirical agenda. This affectation of his work, which is exceedingly present in his … Continue reading

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Sátántangó Explained (Tarr, 1994)

There are many people who think the end is the beginning. It is not. At least not in the diegetic sense. The end is exactly as the doctor describes: 13 days after he is hospitalized. That is, 13 days after … Continue reading

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Mother and Son (Sokurov, 1997)

A veil upon which reality is traced, augmented, and distorted just such that the uncanny is revealed, penetrating pyschological depth. Sokurov’s iridescent cinematography as usual brings life to nature, rendering striking three dimensionality while conveying the mystic phenomenon of object … Continue reading

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Being, Time, and Rhythm: How Cinema as Art is Life

Rhythmic expression of time exists in three states: cinema, life, mind. When these expressions are in harmony, there is bliss. Rhythmic expression of film in harmony with man’s soul (implicit perception of time) equals acceptance of the aesthetic—declared art, love … Continue reading

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Elegy of a Voyage (Sokurov, 2001)

As with Russian Ark, Sokurov creates an all encompassing atmosphere through narration and open form montage, yielding a sense of presence throughout the film. Open montage, the use of nondescript (yet no less arresting nor beautiful), non representational images, which … Continue reading

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