Tag Archives: Sound and Image

Deconstructing Robert Altman’s McCabe & Mrs. Miller

Because of its many moving parts and modes of storytelling, this is not an easy film to digest nor review. It is haunting and atmospheric, leaving a resonant melancholy long after viewing. And yet somehow the film does so by … Continue reading

Posted in Reviews | Tagged , , , , , , , , , , , , , , , , , , , , | Leave a comment

Mad Max: Fury Road (Miller, 2015)

An exceptionally captivating, hyper textural example of postmodern spectacle. The film forgoes narrative intention; a negation of learned concepts allows it to breathe new and communicate by purely formal means. Rapid cutting, the representation of rapid blinking, form generative montage … Continue reading

Posted in Reviews (capsule) | Tagged , , , , , , , , , , , , , | Leave a comment

The Long Day Closes (Davies, 1992)

The lighting in The Long Day Closes (1992) is nothing short of brilliance. For it alone, this film is well worth seeing — a must for any avid cinephile. The specific high key lighting, both off and on screen — … Continue reading

Posted in Reviews | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment