Tag Archives: vulgar auteurism

Bloodsport: A Prime Example of Affective Cinema

In spite of nostalgia’s effect on my revision, and in spite of Bloodsport’s apparent contrast to what we generally deem cinematic art, the cult-classic remains fastened on the minds of many a cinephile. Such a phenomenon surely calls for retrospection, and … Continue reading

Posted in Essays | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Pompeii (Anderson, 2014)

Paul W.S. Anderson’s Pompeii (2014) blew me away. Judging the trailer and posters, one does not expect a masterful film, nor even a reasonably good film. 3D, CGI, and romantic melodrama rarely appeal to higher artistic sensibilities, and I for … Continue reading

Posted in Reviews | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Lucy (Besson, 2014)

Though divisive and critically overlooked, Luc Besson’s Lucy (2014) will surely satisfy the armchair philosopher, especially those psychedelically inclined. Indebted to the LSD consciousness expansion movement of the 60s counterculture, Lucy is frankly the best visual interpretation of Mind at … Continue reading

Posted in Reviews | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , | 1 Comment